One of the most fascinating tales in publishing history, an account by Francesco Piccolo for the 70th anniversary of Feltrinelli.

Eighteen young women and a secret pact of maternity and femicide: Marta Cuscunà continues her exploration of “women’s resistance”.

Gabriele Lavia stages the eternal tragedy of power, focusing on the conflictual relationship between parents and their children.

The tradition of the Commedia dell’Arte and the fresh energy of a company of young artists; the Piccolo’s Arlecchino returns to the stage  

Fanny & Alexander and Federica Fracassi once again explore the terse and cutting work of Ágota Kristóf.

Ironic, caustic and irreverent: Flavia Mastrella and Antonio Rezza return to the Piccolo with a new and irresistible creation.

Bradbury’s novel is the cue for the study by Sotterraneo on the possible totalitarian drift of our present

Man, or god? Stefano Massini tells of the unstoppable rise of the controversial millionaire who became the president of the United States.

A particular format, a blend of chat and performance, created by Sotterraneo to create dialogue between different forms of expression.

An experiment that combines DJ sets and theatre, drawing the audience into an alternating blend of playlists and performance.

Despotic, mean and grumpy: Paolo Valerio directs Franco Branciaroli in an original interpretation of the play by Carlo Goldoni.

The show gathers historical anecdotes from different centuries and geographies, in a short circuit with the thought of Walter Benjamin

Toni Servillo re-embarks on his three-stage journey to explore Western poetry.

In the wake of its extraordinary reception from audiences, the re-reading by Riccardo Frati of Italo Calvino’s masterpiece returns to the Piccolo

Eduardo Guerrero returns to the Milano Flamenco Festival with a new show balancing tradition and new languages.