
Beckett’s Room
FESTIVAL “PRESENTE INDICATIVO”
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Beckett’s Room is the fascinating and innovative work by Dead Centre that, by drawing on our imaginations, offers us a glimpse of the French Resistance

L’abisso
FESTIVAL “PRESENTE INDICATIVO”
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Davide Enia stages the contemporary tragedy of the landings on the coasts of the Mediterranean

Still Life. A Chorus for Animals, People and all other Lives
FESTIVAL “PRESENTE INDICATIVO”
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Societies appear to be founded on the control and exploitation of lives that are considered superfluous; Still Life is an invitation to rethink the community

Dans la mesure de l’impossible
FESTIVAL “PRESENTE INDICATIVO”
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Based on the first-hand experiences of a number of humanitarian workers, a play that tells of the fight for a better world

Io
FESTIVAL “PRESENTE INDICATIVO”
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Teatro Strehler - Scatola Magica
A monologue that creates dialogue, an expression of the silent pain of the exile, flight, and sense of uprootedness of a woman, Io

Nora
FESTIVAL “PRESENTE INDICATIVO”
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Terzopoulos takes on Ibsen’s classic in experimental form, staging the tragic comedy of our existence

Extremófilo
FESTIVAL “PRESENTE INDICATIVO”
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A work that dives into the consciousness of the head of a ministry cabinet, a drone pilot, and a scientist, exploring stories of love and unease

Entre chien et loup
FESTIVAL “PRESENTE INDICATIVO”
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A play that studies the sources of social violence, transforming the action on stage into a human laboratory

Nudità
FESTIVAL “PRESENTE INDICATIVO”
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A play that stages a representation of human fragility in the relationship between body and marionette

L’Aventure invisible
FESTIVAL “PRESENTE INDICATIVO”
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Through the exceptional journeys of three people forced to reinvent themselves, the performance is an invitation to reconsider the concept of identity

Wild Minds
FESTIVAL “PRESENTE INDICATIVO”
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Five characters, victims of “compulsive daydreaming disorder”, tell the audience of their obsessions

Wakatt
FESTIVAL “PRESENTE INDICATIVO”
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Dance seen as a means to study and question the present; Serge Aimé Coulibaly stages a form of humanity in transition

Carne blu
FESTIVAL “PRESENTE INDICATIVO”
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Federica Rosellini makes her direct debut at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf

Deux amis
FESTIVAL “PRESENTE INDICATIVO”
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A couple of actors rehearsing Molière, an embarrassing SMS; Rambert presents an examination of the conventions of theatre and the rules of emotion

Façons d’aimer
FESTIVAL “PRESENTE INDICATIVO”
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With this powerful and disturbing work, Tarnagda brings to the stage a woman revolting against all forms of oppression. She fights with her most miraculous weapons: words