©Masiar Pasquali
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A judge and a defendant who he sentenced to life maintain regular correspondence for twenty-six years.
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Previously presented as one of the Piccolo Teatro’s productions for the 2016/17 season, Pinocchio, directed by Antonio Latella, returns to the stage.
©Norman Rinaldi - Foto di Norman Rinaldi
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Teatro Strehler - Scatola Magica
Among scripts, costumes and props, two explorers are looking for the mistery of theatre, hunting Piccolo Teatro treasure.
©Marinetta Saglio
Ornella Vanoni returns to the Piccolo with the “canzoni della mala” - songs of the underworld.
©Masiar Pasquali
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Based on the novel by Elio Vittorini, the piece tells the story of a group of partisans during the Nazi-fascist occupation of Milan.
©Achille Le Pera
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After many years, Walter meets his nanny Emilia. Giulia Lazzarini takes to the stage in the piece by the Argentinian playwright Claudio Tolcachir.
©Elena Clara Savino
San Vittore Globe Theatre – Atto II Le Tempeste is a show dedicated to Shakespeare and performed by the inmate and non-inmate actresses of the CETEC
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Every evening, while their mistress is out, two sisters play out a dark fantasy in which they play at “being Madame”, killing her. Reality or fiction?
©Pascal La Delfa
“If one dreams alone, it is just a dream. If we dream together, it is the beginning of reality”.
©Lucia Menegazzo
Todi, a symbol of the Italian provinces where life is serene and everyone knows each other... but what is it best to avoid doing in a small town?
A monologue on men, on their masculinity and on the strength that lends form to our relationships.
Lucifer is a being catapulted into another dimension, like a child sent away by his father, forced to be born again, alone.
©Pino Le Pera
The anger, resentment and frustration of youth lost in the no-man’s-land of the suburbs, where the only distraction is boredom.
The text by Camilla Mattiuzzo, winner of the NdN, tells the semi-true story of a family which has lost control.
©Steven A. Gunther
The only art which is worth doing is art that disturbs, challenges and puts to the test both artists and spectators. But is this really the case?