2018-2019
©Luca Del Pia
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The new play by Pippo Delbono is dedicated to joy, seen as an infinite search to be made by actors and audiences together.
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The Collas return at Christmas with the tale of Aladdin, who is faced with a magic lamp, an evil wizard and a princess to conquer.
©Franco Lannino
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Emma Dante stages the short story by Giambattista Basile, a splendid apologue on the risks of vanity in a world based on appearance.
©Luca Manfrini
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Federico Tiezzi stages Arthur Schnitzler’s masterpiece, a ruthless exposé of Austrian society in the 1920s.
©Lia Pasqualino
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Shakespeare’s masterpiece, staged by Roberto Andò, a cinematographic and theatrical director, with Renato Carpentieri in the role of Prospero.
An outstanding re-reading of the Three sisters by Chekhov, with which the volcanic director Andrij Zholdak plucks at the heartstrings of the audience.
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A new production from Carlo Colla & Figli, the last production that Eugenio Monti Colla was working on, based on the masterpiece by Stevenson.
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The return to the stage of the play by Renato Sarti which recalls the deportation of the workers of Sesto San Giovanni following the 1943-1945 strikes
©Juan Conca
The performance by Maria Moreno brings together the most authentic traditions of Flamenco with avant-garde dance.
©Javier Fergó
The Milano Flamenco Festival ends with Distopía by Patricia Guerrero, a journey through the most deep-set of emotions.
©marcosGpunto
Manuel Liñan returns to the Teatro Strehler with a new show celebrating the female universe of Flamenco.
©Jacob Garet
The second appointment for Milano incontra la Grecia is BSTRD, a solo by the dancer and choreographer Katerina Andreou
©Christina Georgiadou
The return of Milano incontra la Grecia, the review which brings to Milan the most creative and innovative of Greek artistic production.
©Mike Rafail / KDF & Nickolas Chryssos
The last appointment with Milano incontra la Grecia is with the play In case of loss please return to... by the duo Kóka & Panú.
The only Theatre-Song show to be created following the death of Giorgio Gaber. Written by Sandro Luporini.