2022-2023

How can a journalist or an artist speak of war? Is dialogue between them possible, in order to help humanity defend itself from chaos?

Following the extraordinary success last season, the return of the play that Massimo Popolizio has based on the novel by Scurati

Under the guidance of Federico Tiezzi, Sandro Lombardi, Monica Bacelli and Andrea Rebaudengo follow in the footsteps of the reportage by Pier Paolo Pasolini

Shakespeare’s masterpiece Hamlet returns to the stage in this version by Latella, with Federica Rosellini playing the prince of Denmark

The Symphonic Orchestra of Milan fills the Studio Melato with a blend of Viennese classics, 20th century compositions and contemporary works

For the third time, Orsini takes on Ivan Karamazov, the most complex, controversial and tormented character ever created by Dostoevsky

Eduardo’s comedy on the confine between mental health and illness, to laugh, and to reflect on human misery and the ambiguity of language

Sotterraneo starts from the collective imagination to talk to Shakespeare

Overload stages the American writer David Foster Wallace in the act of delivering a speech, which soon takes on the structure of a hypertext

The show gathers historical anecdotes from different centuries and geographies, in a short circuit with the thought of Walter Benjamin

An elderly mother discovers an infallible way to regain the attention of her children who are too busy, absent and distracted; she pretends to be dead

A witch-hunt that, at its core, was a scathing condemnation of contemporary social psychosis; Filippo Dini takes on Arthur Miller

A concert-play set to the dizzying rhythm of rap to rediscover all the vitality, power and topicality of Rostand’s poem

From Homer to Leopardi, a classic tale to discuss war with younger audiences and learn to play with words

Forty years on from an epic match and twenty years on from a legendary play, Davide Enia returns to evoke the joy of that victory