Federico Tiezzi and Sandro Lombardi return to the stage with the explosive and revolutionary “travelling” Oedipus created by Giovanni Testori.

A game of chess with one’s ghosts, a pre-Freud session of psychoanalysis, the brilliance of Dostoevsky in a work worth of exploration. 

Les Moustaches present a work of desperate love, immense emptiness, and explosive joy, a veritable celebration of life.

Under the guidance of Antonio Latella, Vinicio Marchioni wears the crown of William Shakespeare’s most evil sovereign

Emma Dante brings the horrific ritualism of femicide to the stage with a new surreal theatrical work

One of the most fascinating tales in publishing history, an account by Francesco Piccolo for the 70th anniversary of Feltrinelli.

Eighteen young women and a secret pact of maternity and femicide: Marta Cuscunà continues her exploration of “women’s resistance”.

Gabriele Lavia stages the eternal tragedy of power, focusing on the conflictual relationship between parents and their children.

The tradition of the Commedia dell’Arte and the fresh energy of a company of young artists; the Piccolo’s Arlecchino returns to the stage  

Fanny & Alexander and Federica Fracassi once again explore the terse and cutting work of Ágota Kristóf.

Ironic, caustic and irreverent: Flavia Mastrella and Antonio Rezza return to the Piccolo with a new and irresistible creation.

Bradbury’s novel is the cue for the study by Sotterraneo on the possible totalitarian drift of our present

Man, or god? Stefano Massini tells of the unstoppable rise of the controversial millionaire who became the president of the United States.

A particular format, a blend of chat and performance, created by Sotterraneo to create dialogue between different forms of expression.

An experiment that combines DJ sets and theatre, drawing the audience into an alternating blend of playlists and performance.