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Piccolo Gift Card

Piccolo Gift Card


Choose a truly spectacular gift!


With the Piccolo Gift Card, valid for 12 months from the date of issue, you can use the available credit to purchase tickets or subscriptions.


Purchase the card online for a value of €30, €50, €100 or for a sum of your choice and give someone the gift of the magic of the Piccolo.
 


€30 Card
 

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€50 Card
 

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€100 Card
 

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Value of your choice
 

CHOOSE

 

The Gift Card is valid for 12 months from the date of purchase

 


FIND OUT HOW TO USE THE GIFT CARD
TERMS AND CONDITIONS


 

Birthday Gift Card

Birthday Gift Card


A gift that will raise the curtain on your party!


With the Birthday Gift Card, valid for 12 months from the date of issue, you can use the available credit to purchase tickets or subscriptions.


Purchase the card online for a value of €30, €50, €100 or for a sum of your choice and give someone the gift of the magic of the Piccolo.
 


€30 card
 

CHOOSE


€50 card
 

CHOOSE


€100 card
 

CHOOSE


Value of your choice
 

CHOOSE

 

The Gift Card is valid for 12 months from the date of purchase
 

FIND OUT HOW TO USE THE GIFT CARD 
TERMS AND CONDITIONS


 

Indagine Milano 2025

Indagine Milano 2025


Indagine Milano is the backbone of the IMMERSIONI Festival 2025.


An artistic mapping of the city with a specific focus on 4 of its less central neighborhoods, a true immersion in contact with people and their stories, with the aim of returning 4 performative studies that will compose a heterogeneous and multifaceted look at contemporary Milan.


After the editions of 2022, 2023 and 2024 – which saw the selected artists working with communities in the neighborhoods of Baggio, Calvairate, Niguarda, Lorenteggio/ Giambellino, Quarto Oggiaro, Lambrate, Chinatown, Affori, Stadera, Barona, Chiaravalle and Santa Giulia – in 2025 we will continue the work of artistic mapping of the city by asking candidates to choose one of the neighborhoods among those indicated, territories not yet intercepted by IMMERSIONI in past years.
The goal is to involve citizens and neighborhood communities through a path of coexistence, proximity and open exchange that intercepts the associative fabric, formal and informal social and cultural networks, and proximity institutions and principals (libraries, parishes, theaters, etc...).

THE DISTRICTS: Adriano, Corvetto, Comasina, Villapizzone, San Siro, Bicocca, Gallaratese
 



The performances, the outcome of the artistic residencies, will be presented in September 2025 at the IMMERSIONI Festival to be held at the Piccolo, a project partner.
Indagine Milano seeks a direct approach with the communities of the city of Milan to bring forth from its analysis materials of contemporary dramaturgy, an expression of our intangible cultural heritage. The intention of the project is for the artist to act as a mediator between the citizens and the artistic process, bringing them closer and putting them in deep connection with each other, so that culture and art become valuable tools for metabolizing and reading contemporaneity.

The path outlined has as its overall goal the development of neighborly relations between the artist community and local communities, promoting the nurturing of social relations and analyzing the relationship between creation, public space and society.

The specific objectives are:
     ➝ to strengthen the presence of a new generation of artists nationally and internationally;
     ➝ promote the interweaving/hybridisation of dramaturgical languages: writing, physical action, video and sound;
     ➝ to solicit the cultural participation of communities, particularly those who are generally excluded from it; 
     ➝ promote a reading of the local areas that is based on listening to needs, critical issues and opportunities so as to “cultivate and grow” more knowledgeable citizens.

IMMERSIONI Festival is promoted by mare culturale urbano in collaboration with Piccolo Teatro di Milano.
Artistic director and project manager – Andrea Capaldi (founder and director of mare culturale urbano)

The project benefits from the participation of a curatorial team, formed by Federica Fracassi, Nicola Russo and Benedetto Sicca, which will have the task of flanking/supporting the work of selected artists and helping the artistic direction in building
a complex and articulated narrative where, while maintaining the specific identity of each of the 4 performance studios, a transversal fil rouge is legible that returns to the viewer and to the people involved a unique and multifaceted artistic overview.

The project also includes the involvement of four professionals in the field of textual, sound, physical and video dramaturgy – Davide Carnevali, Nicola Ratti, Alessio Romano and Riccardo Frati – in the role of “tutor dramaturg/early viewers,” with the function of assisting the artistic direction and curatorial team, so as to encourage a project where there is an important hybridization of artistic and performative languages.
 



HOW TO PARTECIPATE 
To participate in the selection you must send an email to indagine.milano@maremilano.org, no later than 11:59 p.m. on March 27, 2025 specifying in the subject line: call Indagine Milano 2025*.

DOWNLOAD THE CALL

The email indagine.milano@maremilano.org is also active from March 3 to 27, 2025 to request information and clarifications related to the call.

Listen Everywhere!

© Marta Cervone

Listen Everywhere!

Comunicare senza barriere
 

Our programmes are more accessible thanks to the ListenWIFI system; a free app that allows you to listen to the audio of shows directly from your smartphone via earphones, hearing aids or cochlear implants. 
 

How to listen:
     ➝ Download the app by scanning the QR Code displayed on screens in the theatre foyer or via the links below.
     ➝ Once in the auditorium, connect to the “Listen” Wi-Fi network.
     ➝ Select the “Show Audio” channel on the App, put on your earphones (audio quality is higher with wired devices) or connect your hearing aid or cochlear implant to the smartphone and enjoy the show!

DOWNLOAD FROM THE APP STORE

DOWNLOAD FROM THE PLAY STORE

If you experience difficulty in connecting your devices to your smartphone, contact your supplier or write to alfaudio@tiscali.it
 

Comunicare senza barriere (Communication without Barriers) is a project organised by a.l.f.a. – Associazione Lombarda Famiglie Audiolesi Milano
With the contribution of the Lombardy Region and the Presidency of the Council of Ministers


     

In collaboration with

         


 

How to use the Gift Card

How to use the Gift Card


The Gift Card allows you to use the credit available to purchase tickets or subscriptions for the entire period of validity.

Keep the code provided in the PDF that you received to use the credit on the Gift Card.
Once you have chosen the product you would like to purchase, enter the code in the “Gift Card” field and use the credit as a method of payment.
If the value of the Gift Card is higher than the cost of the purchase, you will find the remaining credit in your Personal Area; for each additional purchase, you will be required to enter the Gift Card code.
If the value of the Gift Card is lower than the cost of the purchase, you may pay for the difference with another method of payment.
Multiple Gift Cards can be used to purchase one or more tickets or subscriptions. 
Gift Card credit cannot be used to purchase other Gift Cards.

Tickets purchased with a Gift Card are subject to the General Terms and Conditions of Sale*; tickets and subscriptions at reduced prices for the under-26/over-65 can be purchased with the use of a Gift Card on presentation of a valid identity document at the moment of purchase. Access to the auditorium with reduced-price tickets is subject to verification by the theatre personnel.

Unused Gift Cards or any credit remaining up to the expiry date cannot be refunded. In the event of loss of the Gift Card code, please visit the Teatro Strehler box office or contact the box office line. 

BOX OFFICE INFO AND OPENING HOURS
 


IN THE EVENT OF CANCELLATION
In the event of cancellation of a performance purchased with a Gift Card:
Tickets: if you have purchased one or more tickets either online or via the box office line using solely the credit available on the Gift Card, we will cancel the ticket and refund you by creating a new Gift Card for the value of the credit used. 
If you have purchased one or more tickets online or via the box office line using credit from the Gift Card together with another method of payment, we will cancel the ticket and refund you via the credit card used. You will receive an email confirming that the operation has been completed. 
If you have purchased one or more tickets via the Teatro Strehler box office, you will have to return the ticket for the cancelled performance to the box office, where you can request a refund in accordance with the cases shown above.
Subscriptions: if you have purchased a subscription via Gift Card and have used one or more vouchers, we will automatically credit the vouchers to your profile.

 

*Purchased tickets cannot be cancelled or substituted or be used for dates or times which differ from those indicated. Access to the theatre is not permitted without a valid ticket or once the performance has begun.

 

Gift Card

Gift Card


Our Gift Card lets you use the available credit however you want, and enjoy experiences to remember.


Easy to use and without restrictions, the Gift Card is the perfect gift for any occasion, allowing you to use the available credit to purchase tickets or subscriptions for the entire period of validity
 

Piccolo Gift Card

Give a spectacular gift with the Piccolo Gift Card!
DISCOVER

Piccolo Birthday Gift Card

An original gift that will light up the party!
DISCOVER


Image from SLAVA’S SNOWSHOW by Viktor Kramer & Slava Polunin. Photo © Veronique Vial
 

Milano Flamenco Festival 2025

Foto @ Claudia Ruiz Caro

Milano Flamenco Festival 2025


A flamenco of an increasingly novel and stimulating breadth that, while maintaining its essence, confirms its role as an art among arts. Now in its eighteenth edition, Milano Flamenco Festival returns to the stage of the Teatro Strehler from 16 to 20 June 2025.
 

An essential element in our programme, Milano Flamenco Festival is a precious presentation of the vibrant contemporary flamenco scene, with international icons of dance alongside the most innovative and avant-garde of emerging artists.  
 

Sin limites is the common thread of this edition of the Festival, which lends space, voice and body to the need for the artists to explore both themselves and their surroundings, with the aim of expanding the horizons of the art of flamenco and diving deep into all the nuances and possible interpretations of the most profound tradition.

Three companies will be presenting Italian premieres of their shows, challenging both the stage and their respective creative and physical abilities in an experience of significant visual and emotional impact.

Purchase two or three shows at a special price with the Flamenco Card.

 

Nocturna – Arquitectura del insomnio

Rafaela Carrasco in a danced, musical and poetic exploration of the contradictions of the night, seen from the lucidity of those who are awake. On stage 7 dancers in a sound space inspired by Bach's Goldberg Variations

DISCOVER

Vertebrado

Juan Tomàs de la Molía explores one of the most significant styles of flamenco, the bulería. The freedom, the joy of improvisation and the joy of sharing with the audience make this performance a manifesto of the happiness of dancing.

DISCOVER

Debajo de los pies

Eduardo Guerrero, charismatic artist with incredible physical gifts, returns to the Teatro Strehler with his new work: a dialogue between the roots of flamenco and more contemporary and experimental languages.

DISCOVER

Lanfranco Li Cauli

© Masiar Pasquali

Lanfranco Li Cauli


As of 1 December 2024, Lanfranco Li Cauli holds the post of CEO – Chief Executive Officer of the Piccolo Teatro di Milano – Teatro d’Europa, alongside the Artistic Director Claudio Longhi. 

From December 2016 to November 2024 he served as Director of Marketing and Fundraising for the Teatro alla Scala. In particular, from 2021 to 2024, he worked alongside the Superintendent Dominique Meyer, playing an active role in the organisational restructuring, sustainability and technological innovation processes for the Theatre. In 2023 he participated in the founding of the “Teatro alla Scala Association of America”. 

He worked at the Piccolo Teatro di Milano – Teatro d’Europa from 1998 to 2015, a period that culminated in his appointment as Director of Marketing and Communication. In this role, he was responsible for the technological innovation process, aimed at developing and consolidating new audiences. He also managed international marketing activities for the many tours organised by the Piccolo. 

After studying the classics, he graduated with a degree in Economics and Commerce at the Università Commerciale Luigi Bocconi, Milan, specialising in Marketing. 
He is a frequent guest at conferences, courses and University Master courses on a national and international level, speaking on themes of theatrical management, marketing and fundraising. 

Since 2009 he has been a regular contributor to a range of national and international publications on the theme of cultural management. 

He has been a teacher at the Sant’Egidio Community School of Italian language and culture in Milan since 2019. 

In 2022 he was awarded “Cavaliere Ordine al Merito della Repubblica Italiana” by the President of the Italian Republic Sergio Mattarella.

 

Cookie Policy

Cookie Policy

 

The website of the Fondazione Piccolo Teatro di Milano – Teatro d’Europa, which can be visited via the address piccoloteatro.org/it and the relative ticketshop available via the link (di seguito, congiuntamente il “Sito” o il “Teatro”), (hereinafter jointly referred to as the “Website” or the “Teatro”), use so-called cookies, i.e., small files that are saved on the User’s device (PC, tablet, mobile telephone or other mobile device).


Cookies allow certain information regarding the User (e.g., certain technical information regarding the User, or the ways the User uses the Website, their preferences, etc.) to be technically recorded for a period of time that varies depending on the type of cookie. Furthermore, cookies allow the Teatro to guarantee the User easier and more efficient navigation of the Website.
 

This policy has been issued exclusively for the Website and does not concern any other websites that may be accessed by the User via links present on the same.

WHAT ARE COOKIES? 
Cookies are small text files (generally consisting of letters and numbers) that are saved in the memory of the browser used by the User, and therefore on the relative device used, when the User visits a website. Cookies allow the website visited by the User to recognise a particular device or browser, or to memorise the methods with which the User uses the Website, or their preferences. 

There are various types of cookie:

a. according to the duration of their use:

  • Session cookies, which are automatically removed at the end of the browser session, and

  • permanent cookies, which are instead memorised on the User’s browser even after the end of the browser session.

b. according to the subject who installs them on the User’s device:

  • First-party (or proprietary) cookies, which are installed by the website that the User is visiting, and

  • third-party cookies, which are installed by a website other than the one that the User is visiting.


FIRST-PARTY COOKIES
When the User visits the Website, the latter installs the following types of cookie on their device:

Technical cookies
These cookies, which are session cookies, are used to render a website usable, allowing navigation between pages and access to reserved areas. No website can function correctly in the absence of these cookies, and they therefore do not require consent from the user. 

Analytic cookies 
These cookies are used by the Teatro to gather statistical information in aggregate form regarding the number of Users visiting the Website (as individual visitors) and the ways that the Users visit the Website (for example, allowing the gathering of information on the number and identity of the pages that received the most or the least visits, the average time spent on the Website by the Users, which keywords are most frequently used by Users on search engines to find the pages of the Website, the number and type of navigation-related problems encountered by Users – such as denied, slow or incorrect display of pages – while navigating the Website). Analytic cookies are installed, with the consent of Users, when visiting the Website. 

Profiling cookies 
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THIRD-PARTY COOKIES
When a User visits the Website, websites other than the Website may install cookies on the User’s device.

Third-party analytic cookies
These cookies are used by third-party websites to gather statistical information in aggregate form regarding the number of Users visiting the Website (as individual visitors) and the ways that the Users visit the Website (for example, allowing the gathering of information on the number and identity of the pages that received the most or the least visits, the average time spent on the Website by the Users, which keywords are most frequently used by Users on search engines to find the pages of the Website, the number and type of navigation-related problems encountered by Users – such as denied, slow or incorrect display of pages – while navigating the Website). Third-party analytic cookies are installed, with the consent of Users, when visiting the Website.

Third-party profiling cookies
These cookies are used by third-party websites to create User profiles (through demographic information regarding the Users and/or the Website pages they have visited, the products viewed, the purchases made, etc.). These cookies allow for Users to be shown advertising messages calibrated to their demographic profile and specific interests while navigating the Website and other websites. Third-party profiling cookies are installed, with the consent of Users, when visiting the Website.

Functionality cookies 
These cookies are used to offer Users an optimal experience when using the Website. They are essential for the execution of third-party programmes and functions expressly requested by Users, and therefore do not require User consent.

COOKIES USED

NameWebsite of origin of the cookieFunctionDurationType
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ServiceWorkerLogsDatabase#SWHealthLogyoutube.comRequired for the implementation and functioning of YouTube video content on the Website.PersistentIndexedDB
TESTCOOKIESENABLEDyoutube.comUsed to track interaction between Users and incorporated content.1 dayHTTP Cookies
VISITOR_INFO1_LIVEyoutube.comEstimates the speed of the User’s connection on pages with integrated YouTube video content.180 daysHTTP Cookies
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YSCyoutube.comRegisters a unique ID for statistics related to which YouTube videos have been viewed by the User.SessionHTTP Cookies
yt.innertube::nextIdyoutube.comRegisters a unique ID for statistics related to which YouTube videos have been viewed by the User.PersistentHTTP Cookies
ytidb::LAST_RESULT_ENTRY_KEYyoutube.comMemorises the preferences of the User’s video viewer using incorporated YouTube video content.PersistentHTTP Cookies
YtIdbMeta#databasesyoutube.comUsed to track interaction between Users and incorporated content.PersistentIndexedDB
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Social network buttons 
The Website uses various links that allow Users to visit the Teatro’s Facebook, Instagram, X, YouTube and LinkedIn profiles. These links (present in the Website footer in the form of the icons of the relative social networks) do not result in the installation of third-party cookies.

Permanent technical and analytic cookies: User consent 
Third-party permanent technical cookies, as well as first-party and third-party analytic cookies, operate exclusively with the consent of the User. Said consent can be granted by the User in accordance with the methods indicated in the dedicated banner that is displayed when first accessing the Website.

In the event that the User does not intend to grant the relative consent they may, on visiting the Website for the first time, go to the page dedicated to cookie management and select the options present for denying consent to the use of the individual permanent third-party technical cookies and both first-party and third-party analytic cookies.

When returning to the Website, the User may also revoke consent previously granted for the used of said cookies. To do so, as previously mentioned, the User may make use of the Website page dedicated to the management of cookies.

Cookies and browser options 
Users are also informed that by changing the settings of the browser used, they may always cancel any cookies previously installed and choose to not accept any new cookies. The procedures to be followed to change said settings differ according to the version of browser used and for each type of operating system.

Below are links regarding cookie settings for the most commonly used browsers:: 

Users are also informed that they may receive further information on the main types of cookie (analytic and profiling) used on the internet as well as the relative method for uninstalling them by visiting the opt-out page of the Network Alliance Initiative, the opt-out page of the Digital Advertising Alliance, or the website youronlinechoices.eu.
 

Image from the lesson “Uno studio su La schiuma dei giorni di Boris Vian”, by Fabio Condemi. Photo © Marta Cervone 

Last updated May 2024

 

Piccolo for sustainability

© Masiar Pasquali

Piccolo for sustainability


The theme of sustainability has never been so closely tied to cultural policy; it is with this in mind that, having become the first theatre in Europe to join the New European Bauhaus – the multi-disciplinary cultural network promoted by the European Union to serve as a catalyst for the new European Green Deal –, we are underscoring our commitment to ensuring that our stages serve as a driver for the culture of sustainability.
 

We see sustainability in its widest terms, in its representation of a relationship between the environment, the economy and society, and therefore equally related to accessibility and inclusion.


There is a wide and articulated range of initiatives that we are implementing in this regard; on a structural level, through the progressive adapting of our spaces (thanks to the NRRP and both public and private partnerships) and our equipment (with a “light relamping” project funded by the Lombardy Region with a view to favouring the use of LED technology for auditorium lighting), as well as a commitment to reusing materials both on and off stage; on a productive level, with shows created as part of the European projects STAGES - Sustainable Theatre Alliance for a Green Environmental Shift and UNLOCK THE CITY!, which contributes to promoting a culture of sustainability (Benvenuti al Piccolo! Green tour of the island of trees by Michele Dell’Utri; Semidei by Pier Lorenzo Pisano), of inclusion and of dialogue with the community (Dance Me to the End of the World by Sotterraneo). 

In addition, through a series of significant collaborations and alliances: our partnership with the Politecnico di Milano for international projects (and beyond); our involvement in the Festival of Sustainable Development organised by ASviS – The Italian Alliance for Sustainable Development; our relationship with schools and libraries in Milan and Lombardy, which sees us carrying forward our commitment – previously expressed in past seasons, also through our involvement in the Affido Culturale project, organised by the Associazione Mitades and the KPMG – in fighting educational poverty; and the close collaboration with AI. Di. Qua. Artists – the first ever association of and for disabled people in entertainment – which continues to develop in multiple directions, from the training of staff to audio-description projects, and from the creation of materials and kits dedicated to people with specific needs (for example with Jérôme Bel by Marco D’Agostin, in the 2023/24 season), to the translation in Italian Sign Language (LIS) of a range of events.  

With a view to facilitating access to our programmes by an ever wider and more diverse audience, we are also increasing the number of shows with surtitles, developing specific touch tours (tours exploring show costumes and the sets for Teatro Aperto) dedicated to blind and visually impaired spectators, as well as bolstering dialogue with and attention to the many communities within the territory through initiatives spread throughout the city and the region (Teatro dietro l’angolo, Walk_Talk, etc.).


It is an ongoing and developing process, which underscores the fact that “sustainability” is much more than just a word, representing constant dialogue between areas, needs and openness.